Lizzie No with opener Hayley Reardon
6/23/2024
Partial Seating and G.A. Standing. 7:00p Doors / 8:00p Show
21+, Positive I.D. Required. $20-$25
After a dizzying five-year span that saw the release of two stunning, eclectic albums (Hard Won and Vanity, which drew praise from the likes of Billboard and Rolling Stone) — followed by appearances at AmericanaFest, the Newport Folk Festival, Hardly Strictly Bluegrass, and SXSW, and tours with Iron and Wine, Son Little, and Adia Victoria — Lizzie No found herself at the forefront of a new vanguard of genre-defying artists. Her new album, Halfsies (Thirty Tigers / Miss Freedomland), finds No situated among her peers while still searching for freedom — freedom from the constraints of categorization, sure, but more importantly, freedom from the depths of her own personal despair and from an increasingly violent and nightmarish American cultural and political landscape.
Hayley Reardon is a critically acclaimed singer/songwriter and a storyteller in the truest sense of the word. Her songs serve as postcards from an artist brave enough to take the road less traveled. Reardon dove head first into music at the young age of 15, and has spent much of the past decade writing, recording and performing music around the world.
Raised in a coastal Massachusetts town north of Boston, Reardon spent three years based in Nashville and much of the past six years carrying her songs and stories all over the globe. Her ever-deepening music carries a lyrical and melodic weight beyond her years, being described as “brilliantly moving folk/pop with a lyrical depth and soul” (Performer Magazine) and “a melancholy little masterpiece” (American Songwriter Magazine). No Depression writes “Reardon is truly a treasure.”
Partial Seating and G.A. Standing. 7:00p Doors / 8:00p Show
21+, Positive I.D. Required. $20-$25
After a dizzying five-year span that saw the release of two stunning, eclectic albums (Hard Won and Vanity, which drew praise from the likes of Billboard and Rolling Stone) — followed by appearances at AmericanaFest, the Newport Folk Festival, Hardly Strictly Bluegrass, and SXSW, and tours with Iron and Wine, Son Little, and Adia Victoria — Lizzie No found herself at the forefront of a new vanguard of genre-defying artists. Her new album, Halfsies (Thirty Tigers / Miss Freedomland), finds No situated among her peers while still searching for freedom — freedom from the constraints of categorization, sure, but more importantly, freedom from the depths of her own personal despair and from an increasingly violent and nightmarish American cultural and political landscape.
Hayley Reardon is a critically acclaimed singer/songwriter and a storyteller in the truest sense of the word. Her songs serve as postcards from an artist brave enough to take the road less traveled. Reardon dove head first into music at the young age of 15, and has spent much of the past decade writing, recording and performing music around the world.
Raised in a coastal Massachusetts town north of Boston, Reardon spent three years based in Nashville and much of the past six years carrying her songs and stories all over the globe. Her ever-deepening music carries a lyrical and melodic weight beyond her years, being described as “brilliantly moving folk/pop with a lyrical depth and soul” (Performer Magazine) and “a melancholy little masterpiece” (American Songwriter Magazine). No Depression writes “Reardon is truly a treasure.”