6/18/24
Partial Seating and G.A Standing 6:30pm Doors / 7:30pm Show
21+, Positive I.D. Required $20 -$24


Everything clicks on Safe to Run, the fourth album from singer, songwriter and perpetual searcher Esther Rose. It’s the quiet culmination of years spent fully immersed in a developing artistry, and presents Rose’s always vividly detailed emotional scenes with new levels of clarity and control. As with previous work, her songwriting transfigures the chaos and uncertainty of a life in progress, but here she sharpens the pop elements and attaches unshakably catchy hooks to even the darkest stretches of the journey.

After spending her formative years in Michigan, Rose relocated to New Orleans and got her start in music there while awash in the unparalleled energy of the city’s scene. Over the course of her first three records, an infatuation with traditional country gradually evolved into a more distinctive style and increasingly personal material. Rose’s music traced her changes as she moved through stages, studios, and home addresses, and she eventually left NOLA for New Mexico where the two year writing process for Safe to Run unfolded. Making the transition to this new environment after spending the better part of a decade building a life somewhere else demanded looking around and taking stock. All the heaviness, sweetness, levity, and self-discovery that had led up to that point began funneling into new songs that moved slower in order to dig deeper, taking on the intricate hues of a desert horizon as they came together.

On Dylan Earl‘s third full-length album, “I Saw the Arkansas,”. . . he further hones the very convincing loner country-boy schtick and image he’s been cultivating ever since he left Swampbird. His signature croon — hushed and sleepy and stretching for the lowest and saddest notes — drifts over spare upright piano flourishes and unhurried pedal steel like someone slowly driving a truck through open landscapes, cursed by wanderlust. Standout tracks include “White Painted Trees” and “Buddy.” - Daniel Greer, Arkansas Times